“ Beginning in the first period of his painting, two manners coexist:...one of them, rich in facets and gestures, with strong brush strokes contained in large shapes; the other, interested in polishing the volumes through an non focal light...that reminds the manner used by Diego Rivera to light his massive figures. In Seade's case, the mystique of folk characters faced as an essentially lyric topic, didn't hinder his irony or grotesque humor ”

Gabriel Peluffo Linari

“Seade builds his figurative volumes with an sculptors' eye: heavy and firm. He achieves, somehow, an authority comparable to that of the best Siqueiros, even though he had few chances to develop muralist at a scale worthy of his constructive elan, and the fecundity of his capacity to organize living shapes as a classic”

Fernando García Esteban

“ He does not create a plastic universe where all activity is merely plastic, but his pictorial world identifies with humor. Seade seems to pretend that all his work shows those vibes.”

Atahualpa del Cioppo

“Seade has no descriptions nor redundancies, but the language required by an (latin) American who does not stand silent.”

Tulia Alvarez

“His key theme was our history. Its bigger moments, and also the history of simple people, of women in their hard daily tasks. Our history, Uruguay's and also America, its people and their struggle. ”

Olga Larnaudie